Sunday, December 19, 2021
Life always goes easier in certain directions than in others. But just as in cutting lumber you may need sometimes to rip and other times to cross-cut, so in life you can’t generalize to say, “Only do what comes naturally,” or even, “If you are finding it hard, you’re going the wrong way.”
Same old story, new application: “One size never fits all.”
You will notice that in 20 years we have never told you anything in terms of rules of thumb for conduct in life that you couldn’t have heard in folk wisdom. The things we have offered that are not in common parlance all involve the invisible structure behind what is visible. We are trying to appease the hunger for knowledge and understanding of context that haunts certain natures. But nobody needs us to tell them how to live. At most, we can tell why one should live in a certain way. And you will notice that even there, we are somewhat chary of dictating or seeming to dictate. We started off saying you are here to choose, and we have never deviated from that: How could we?
I’m sure it is a good thing that we all can find the truth in so many places, in so many circumstances. Funny how often people believe just the opposite, though, that truth can be found only in one place.
That’s a matter of them clutching. They have found a truth, and anything that appears to contradict it threatens their certainty. People can lose out even by finding a truth, if they make that truth an idol.
Like the Calvinists Emerson impatiently described as always interposing “their silly book” between themselves and any non-conforming thought, however sincere. Or like Thoreau: “They don’t want any prophets in their family, damn them!”
But, as always, there is something to be said on the other side of the question. Sometimes people clinging to a truth are in the position of a survivor clinging to a piece of driftwood, and that’s the best they can do.
Don’t judge, I know.
There isn’t anything wrong with judging in the sense of discerning, particularly if you remember to keep the judgment tentative. It is condemnation, not discernment, that isolates.
Were you wanting to say more about finding truth in many places? Or about how sometimes we are ripping and sometimes cross-cutting, and neither is per se “right” or “wrong” in life?
The points made should be obvious.
A very short session, then?
Nothing wrong with a short session. Nothing wrong with skipping, from time to time. It’s mostly in your preserving the habit of it, so that habitual usage will keep the path smooth for you. It is like everything else in life: What you practice, improves.
Was it Pablo Casals? Someone, very much up in years, was asked why he still practiced at his age, and replied, in effect, “Because I think I’m starting to get it.”
“Genius is the infinite capacity for taking pains,” they say. Another way to put it might be, “Genius is the willingness to keep showing up.”
In fact, a word or two on the subject. Talent is one thing. Genius is a different thing. Aptitude is a third. We will throw out these distinctions for consideration. We do not mean them as strict definitions, but as sparks.
Understood.
In all three cases, many of the factors involved are invisible in 3D. One’s physical heredity may be somewhat guessed at by looking at the genealogical records, if they exist – but what chart is going to show you someone’s heredity from various threads of other lives? It may be deduced – again, guessed at – but obviously it is going to be mostly a mystery.
They say talent is often based in generations of similar traits, and genius often shows up when two different strands are crossed. Yeats, for instance, or Thoreau.
Yes, but you’d have to explain Emerson, the descendant of generations of ministers, with no exotics to be seen. Not that the generalization is not somewhat valid – Churchill, say – but, like most generalizations, only somewhat.
In any case, our point here is merely that most of the determinants of limits – the extent of the palette, so to speak – are factors not evident to the senses and not necessarily all that evident even to study or to intuition. Your lives are always going to be largely mysteries to you, and there’s nothing wrong with that, it leaves you freer of self-constructed prisons.
Why does that sentence – that final phrase, actually – remind me of the poem I was given in 1995, supposedly from Yeats? *
Beats us.
Very funny.
Well, what’s the use of a “why” question? Won’t the “why” appear in your treatment of whatever event caused the “why”?
Hmm.
In any case, this set of distinctions.
- Talent draws upon life’s inherited reserves. Something comes naturally to you. It may require a lifetime of practice, but still it is an expression of you, that is as naturally fulfilling as breathing.
- Genius is different in a way that isn’t so easy to define. It is as much dependent upon one’s 3D and non-3D heredity as talent, but it is not talent. It may manifest with or without talent, and perhaps that is the best way to glance at the undefinable difference between the two. A Beethoven, a Goethe, a Napoleon, a Lincoln, demonstrate genius allied to talent. Very different fields of endeavor, but that’s part of our point. Genius, like talent, manifests in all walks of life, recognized or not.
For examples of talent without genius, think of any competent practitioner in any field – musicians (including composers), writers, soldiers, statesmen, whatever. They are skilled, but they will never set the Thames on fire. For examples of genius without talent, think of anyone you know who is known primarily for eccentricity and who is not particularly successful in translating his or her native ingenuity into something with practical effect. These are the people who, if they do set the Thames on fire, do so with an air of having done so by accident. History is full of wild mean who clearly are not run of the mill, but equally clearly aren’t quite suited to their genius.
Jones Very? Bucky Fuller, in some respects? Stephen Douglas, maybe? Robespierre?
You will find it hard to find examples of genius truly without talent, for they will not have made their mark. But we give you the clue, anyway.
And aptitude?
- Aptitude is largely a matter of someone being in the right body at the right moment. The times are right, and so the result of genius or talent, or both, finds the way smoothed. Who does what the shared subjectivity is ready for, finds life easy, at least so far as that contribution is concerned.
Shall we call this one “Talent, genius, aptitude”?
It might be more to the point to call it “Ripping and cross-cutting.” But it’s up to you.
Our thanks as always.
* [From Muddy Tracks, how Yeats gave me a poem, if indeed it was Yeats.]
[On Saturday, August 12, I made several trips to 27, the most important of which involved finding Yeats. He talked, and he promised to give me a poem via automatic writing. Sitting in my cabin by a fire, I asked him, this intense middle-aged man of penetrating eyes and prominent cheekbones, if I could succeed in transcribing it. You can get it, he said, but whether you can understand it is another matter.
[I sat down at my journal and was nearly stifled by performance anxiety. I got so far as a title, then a first line—then I was quarreling with the next lines, trying to make something coherent and losing it, then the phone rang. I tried again, and got this:
Sentinel
There are those think the day a long weariness,
Life a long never-releasing swampland clinging.
Can they never in their ceaseless counting and reckoning
Look up to the bird on the wing, or the hour?
Cease telling your beads of worry and amassing.
Your prayers are in every breath you take,
will it or not. The grave’s no prison
to match that spun by blind men building.
We who know pass you this directive;
Live your limitations as a blessing bestowed;
Build your castles but omit the bars;
Pass through the glowing.
[After the poem came to me, I said: “Maybe it’s Yeats, though it certainly doesn’t sound like him. And I can’t make sense of that title and this content. Nor does it sound like great poetry to me—or even competent rhyme. Would Yeats write something unfinished and crude? Ask him, maybe. Can I do that here and in 27? Let’s see. Mr. Yeats—”
[“Different rules apply in new circumstances. What you value may seem child’s play or child’s distraction to us, sense and sound detracting from other attributes. Study the poem and see if it has anything to say to you and you may decide it’s not so bad after all.”]