Selecting input (from October 2017)

Sunday, October 22, 2017

Enter your notes from yesterday.

[Watched “Terminator 3,” found in alphabetizing my DVDs and tapes. Thinking about the story. The visuals show how much people hate our civilization, and want to see it smashed – trucks, cars, buildings, people, cities. I don’t even know if the movie makers know they are expressing that. Maybe they think people just like “action.” (Even that would show how boring and unsatisfying people’s lives are.)

[But there is a deeper theme: sitting on the sidelines watching the inevitable catastrophe. That’s what I have been doing my whole life, with the exception of a half-hearted attempt to enter political life. If it is inevitable, you waste your life trying to stop it – even if you know what to do. But how do you know it is inevitable? Well, I guess the answer to that is simple: You know. I can’t help wondering what form the catastrophe will take, and how much it will leave us alone. I don’t mean Skynet, I mean the progressive destruction of the republic. No way to know. Work while I have time, and hope that something survives.]

You know that the physical brain reacts to depictions nearly as strongly as to the real physical event. Your brains are always playing virtual reality, and the difference in input is less significant, less discernable, to it than you might assume. So, all those depictions of mass destruction, of lethal conflict, of raw emotion (that is, both the scenes themselves and the reaction they were created to produce) are as real as the rest of your lives. Or, let’s say, a half-step less real, as your physical life is a half-step less real than the reality above (and below, and around) it.

So media presentation of a portrait of your world is not limited to “news” broadcasts with their own peculiar bias toward the dramatic and away from the analytical; it includes the overt drama and all its subtexts. It includes the fiction and non-fiction that you read. It includes second-hand experience at roughly the same level as first-hand, depending upon your intuitive / sensory mix. Someone like you lives as much in secondary reports as in primary experience; more, sometimes. Others may live only in the primary, as far as they know, and yet they will be suffused by secondary reports absorbed unconsciously and uncritically stored as data.

But surely even the least self-conscious persons have their unbroken link to intuition – to their non-3D component – to keep them aligned.

The unbroken and unbreakable link between conscious and unconscious, between 3D awareness and All-D awareness, let’s say, is not meant to produce homogenous 3D results. Quite the contrary. It is meant to support the existence of the 3D being; it is, as a parallel function, the repository of the record of all 3D experience. (It is your feed to the Akashic Record, you might say.) But although it is always acting as a receiver, it is experienced by the 3D being as transmitter only under certain constraints. The 3D being may choose to shut off any messages it finds uncomfortable. It tunes out its bad conscience, you might say. Or, it tunes out thoughts and realizations that contradict what it chooses to think or realize. Or it tunes out intuitive input in general, as distraction or as hallucination or as fantasy.

“It isn’t real.”

That’s one version, yes. “It isn’t real, I don’t want to hear about it, it produces uncomfortable sensations.” For any of those reasons, and there are more, any 3D being may shut itself off from receiving some of the input available to it. But, a couple of points.

  • This isn’t a It is a function of free will, and nobody has any objection to it.
  • Overwhelming need may cause (or enable, depending upon how you choose to look at it) the non-3D component to flood the 3D with input that can not be ignored and may be life changing.

And that is enough for now.

 

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